I live and work in Brittany — between winds, granite, and sea spray.
My work explores what binds the ancestral to the future: the patient strategies of spiders, the Ogham script carved into wood; and, facing them, digital protocols, Unicode, algorithmic architectures.
I listen for what the world does not yet say, carmen terrae: plants’ ultrasonic signals, the subtle vibrations of the living — those unheard territories that open when we sharpen our attention.
My installations seek continuity between the organic and the technological: a network of breaths, pulses, waves, and signs. Each piece attempts to catch that invisible thread between gesture, memory, and data.
From this ongoing research came L’Habitat Inouï: a discreet trigger, activating natural, urban or ultrasonic sound atmospheres. Designed to be integrated into a wall, a piece of furniture or an alcove, the device reveals subtle acoustic presences and composes quiet, sensitive and contemporary spaces of listening.
I like working with those who shift boundaries: artists, architects, engineers, researchers, artisans… Inventing together spaces of listening and shared resonance.